Gaston Chaissac - Faire l'âne pour avoir du son

Art (1945-contemporary) > Abstract Art Post-War Gaston Chaissac

Starting bid:

11,000 EUR

Estimate:

12,000 EUR

Add to your watch list

Seller:

Ketterer Kunst GmbH & Co KG
Send e-mail to seller

Item location:
Object number:

Munich, Germany
125001146

Starting bid:
Page views:
End of offer:

11,000 EUR
3
02-15-26 16:12:00 Berlin
02-15-26 10:12:00 New York
02-15-26 07:12:00 Los Angeles
(30 days, 19h:14m)

Please enter your maximum bid:

Bid plus 34 % buyer's premium (differential taxation without separate VAT statement, sales tax certificate upon request) and droit de suite charge without VAT.
Self pick-up: free of charge,
insured shipping:
within Germany 108,18 €,
within the EU countries 187,45 €,
outside the EU countries on request.

After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.

Gaston Chaissac
1910 - 1964
Faire l'âne pour avoir du son. 1962/1963.
Oil on metal and plywood.
Upper right signed. 60 x 40 cm (23.6 x 15.7 in). [KA].

• Spontaneous, playful imagery between abstraction and figuration.
• Radical autodidact: Gaston Chaissac is regarded as an artistic maverick between Art Brut and Modernism.
• Part of an important private collection in Berlin for over 35 years.

PROVENANCE: Private collection, Paris.
Galerie Michael Haas, Berlin (label on the reverse).
Private collection, Berlin (acquired from the above in 1988).

EXHIBITION: -Gaston Chaissac. Dessins, peintures, sculptures, Centre d'Art de Flaine, February 12–April 17, 1983, p. 24 (verso with label).
Gaston Chaissac 1910–1964, Neue Galerie der Stadt Linz, March 14–June 9, 1996; Kunsthalle Tübingen, June 22–August 11, 1996; Von der Heydt Museum, Wuppertal, November 10, 1996–January 5, 1997; Schirn Kunsthalle Frankfurt, January 25–April 6, 1997, cat. no. 152 (with full-color ill., p. 196).

In good condition. There is some minor color loss and small traces of rust on the metal, and fine craquelure in places on the curved areas. There are tiny signs of wear and studio marks on the wood. The condition report was prepared in daylight and with the aid of a UV light source to the best of our knowledge and belief.
For information concerning the condition, please view the high resolution image / backside image.